It comprises three geometric archetypes — the cube, the sphere, and the tube — interlocked into vibrant, irregular compositions that foster space-body connectivity.

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null²'s warped and geometric modules are wrapped in a membrane that is responsive to environmental forces, causing the surface to shift in rhythm with its surroundings.

The post NOIZ’s reflective, voxel-based pavilion blurs physical and digital at expo 2025 osaka appeared first on designboom | architecture & design magazine.

five spheres house immersive zones that guide visitors through switzerland’s innovation landscape.

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in kawasaki city, japan, soeda and associates transforms a tight triangular site into its angular, multi-unit 'sonata2' residence.

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the blue ocean pavilion takes shape as a trio of interconnected domes, each one a structural essay in sustainable materiality.

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now open at expo 2025 osaka, kengo kuma's qatar pavilion draws from qatari boat construction and japan's heritage of wood joinery.

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the massing of foster + partners' pavilion recalls the organic shapes and meandering streets of saudi arabia's traditional villages.

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in tokyo, where every square meter counts, KOMINORU’s 'small house on a corner lot' comes together like game of tetris.

The post KOMINORU builds a tiny tower: ‘small house on a corner lot’ maximizes a tokyo sliver appeared first on designboom | architecture & design magazine.

from hungary’s haystack-like theater to portugal’s ethereal wave of ropes, discover the pavilions bridging heritage, sustainability, and innovation at expo 2025 osaka.

The post expo osaka opens: everything you need to know about the 2025 world fair in japan appeared first on designboom | architecture & design magazine.

'we carefully designed the exhibits to ensure they wouldn’t feel like isolated events, but rather convey a sense of invisible interconnectedness,' oki sato explains.

The post oki sato & nikken sekkei’s expo 2025 osaka pavilion places biogas plant amid timber ring appeared first on designboom | architecture & design magazine.